Deeply honest and brave . . . A sincere and intelligent act of self-questioning . . . Hansen is doing something both rare and necessary
It is rare to come across an American writer who has moved through the world ? especially the Islamic world ? with the acute self-awareness and thoughtfulness of Suzy Hansen. She has deftly blended memoir, reportage, and history to produce a book of great beauty and intellectual rigor. Everybody interested in America and the Middle East must read it.
Anchored in the work of James Baldwin, who spent several emancipatory years in Istanbul, her memoir is a piercingly honest critique of the unexamined white American life.
Suzy Hansen's Notes on a Foreign Country is an essential, compelling read of an American woman's coming of age and her experience abroad. Hansen describes how her own narrative of the United States' role in geopolitics began to unravel only once she stepped out of her insular life in New York and into the unfamiliar world of Istanbul. With colorful anecdotes, observations, and telling interviews, Hansen seamlessly weaves together the complex fabric of Turkish society, and with that presents a fresh look at the United States and the perceptions abroad of its foreign policy and of its people.
[Hansen] asks probing and difficult questions that left me ruminating about their significance in our current political climate . . . An insightful read for any American who is, has been, or will be living abroad . . . Hansen's book serves as a call to serious reflection and action for white Americans, even, and perhaps especially, the liberal, well traveled, and well intentioned.
A fluid amalgam of memoir, journalism and political critique - and a very readable challenge to American exceptionalism . . . Notes is also a paean to Istanbul, written by a woman in a state of "emotional genuflection" to the city that has welcomed her in.
Ardent, often lovely . . . If Noam Chomsky could write like this, Hansen's work would already be done.
To be an American is of itself, George Santayana once wrote, a moral condition and education. Notes on a Foreign Country embraces this fate with a unique blend of passionate honesty, coruscating insight, and tenderness. A book of extraordinary power, it achieves something very rare: it opens up new ways of thinking and feeling.
Hansen turns a coming-of-age travelogue into a geopolitical memoir of sorts, without sacrificing personal urgency in the process . . . Her long stay in Istanbul (she's still there) gives her an outsider's vantage on myopic American arrogance that is bracing. And her fascinating insider's view of Recep Tayyip Erdogan's rise upends Western simplicities . . . The experience is contagious.
Elegant and persuasive
Compelling . . . [Hansen] vividly captures the disorientation we experience when our preconceived notions collide with uncomfortable discoveries . . . Rare and refreshing . . . Hansen's principal injunction to Americans to understand how others view them and their country's policies is timely and urgent.
Notes On a Foreign Country is at once a kaleidoscopic look at modern Turkey, a meditation on American identity in an age of American decline, and a gripping intellectual bildungsroman. I'm in awe of this wise, coruscating book.
It's really quite simple: if you have any interest at all in how the non-Western world views America and Americans, you must read Suzy Hansen's beautifully composed memoir Notes on a Foreign Country. And when America's leaders complain ? while campaigning and in office ? that there is "great hatred" for the US (and that they want to get to the bottom of it), it should be required reading by government officials?all the way to the Oval Office.