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Notes on a Foreign Country

Notes on a Foreign Country

‘A deeply honest and brave portrait of of an individual sensibility reckoning with her country’s violent role in the world.’ Hisham Matar, New York Times Book Review

In the wake of the 11th September attacks and the US-led invasion of Iraq, Suzy Hansen, who grew up in an insular conservative town in New Jersey, was enjoying early success as a journalist for a high-profile New York newspaper. Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul.

Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country?and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, ‘a broken heart . . . A one-hundred-year-old relationship.’

Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation?a profound reckoning with what it means to be American in a moment of grave national and global turmoil.
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Genre: Biography & True Stories / Memoirs

On Sale: 4th January 2018

Price: £16.99

ISBN-13: 9781472153890

Reviews

[Hansen] asks probing and difficult questions that left me ruminating about their significance in our current political climate . . . An insightful read for any American who is, has been, or will be living abroad . . . Hansen's book serves as a call to serious reflection and action for white Americans, even, and perhaps especially, the liberal, well traveled, and well intentioned.
Rebecca Barr, Los Angeles Review of Books
Hansen turns a coming-of-age travelogue into a geopolitical memoir of sorts, without sacrificing personal urgency in the process . . . Her long stay in Istanbul (she's still there) gives her an outsider's vantage on myopic American arrogance that is bracing. And her fascinating insider's view of Recep Tayyip Erdogan's rise upends Western simplicities . . . The experience is contagious.
Ann Hulbert, The Atlantic
A fluid amalgam of memoir, journalism and political critique - and a very readable challenge to American exceptionalism . . . Notes is also a paean to Istanbul, written by a woman in a state of "emotional genuflection" to the city that has welcomed her in.
Financial Times
It's really quite simple: if you have any interest at all in how the non-Western world views America and Americans, you must read Suzy Hansen's beautifully composed memoir Notes on a Foreign Country. And when America's leaders complain ? while campaigning and in office ? that there is "great hatred" for the US (and that they want to get to the bottom of it), it should be required reading by government officials?all the way to the Oval Office.
Hooman Majd, author of The Ayatollah Begs to Differ
It is rare to come across an American writer who has moved through the world ? especially the Islamic world ? with the acute self-awareness and thoughtfulness of Suzy Hansen. She has deftly blended memoir, reportage, and history to produce a book of great beauty and intellectual rigor. Everybody interested in America and the Middle East must read it.
Basharat Peer, author of A Question of Order
Ardent, often lovely . . . If Noam Chomsky could write like this, Hansen's work would already be done.
Karl Vick, TIME
To be an American is of itself, George Santayana once wrote, a moral condition and education. Notes on a Foreign Country embraces this fate with a unique blend of passionate honesty, coruscating insight, and tenderness. A book of extraordinary power, it achieves something very rare: it opens up new ways of thinking and feeling.
Pankaj Mishra, author of Age of Anger
Compelling . . . [Hansen] vividly captures the disorientation we experience when our preconceived notions collide with uncomfortable discoveries . . . Rare and refreshing . . . Hansen's principal injunction to Americans to understand how others view them and their country's policies is timely and urgent.
Ali Wyne, The Washington Post
Elegant and persuasive
the Guardian
Notes On a Foreign Country is at once a kaleidoscopic look at modern Turkey, a meditation on American identity in an age of American decline, and a gripping intellectual bildungsroman. I'm in awe of this wise, coruscating book.
Michelle Goldberg, author of The Goddess Pose
Suzy Hansen's Notes on a Foreign Country is an essential, compelling read of an American woman's coming of age and her experience abroad. Hansen describes how her own narrative of the United States' role in geopolitics began to unravel only once she stepped out of her insular life in New York and into the unfamiliar world of Istanbul. With colorful anecdotes, observations, and telling interviews, Hansen seamlessly weaves together the complex fabric of Turkish society, and with that presents a fresh look at the United States and the perceptions abroad of its foreign policy and of its people.
Lynsey Addario, photographer and the author of It’s What I Do
Deeply honest and brave . . . A sincere and intelligent act of self-questioning . . . Hansen is doing something both rare and necessary
Hisham Matar, The New York Times Book Review (cover)
Anchored in the work of James Baldwin, who spent several emancipatory years in Istanbul, her memoir is a piercingly honest critique of the unexamined white American life.
the New Yorker