Daphne Du Maurier - Rebecca - Little, Brown Book Group

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  • Paperback
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    • ISBN:9781844080380
    • Publication date:30 Jan 2003
  • Paperback
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    • ISBN:9780349006574
    • Publication date:16 Jul 2015
  • Miscellaneous print
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    • ISBN:9780349007694
    • Publication date:26 Nov 2015
Books in this series

Rebecca

By Daphne Du Maurier

  • Hardback
  • £14.99

One of the most famous novels of the 20th century, available in a beautiful new hardback VMC set of Daphne du Maurier classics.

'Last night I dreamt I went to Manderley again . . .'

Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory of his dead wife Rebecca is for ever kept alive by the forbidding housekeeper Mrs Danvers . . .

An international bestseller that has never gone out of print, Rebecca is the haunting story of a young woman consumed by love and the struggle to find her identity.

Biographical Notes

Daphne du Maurier (1907-89) was born in London, the daughter of the famous actor-manager Sir Gerald du Maurier and granddaughter of George du Maurier, the author and artist. In 1931 her first novel, The Loving Spirit, was published. A biography of her father and three other novels followed, but it was the novel Rebecca that launched her into the literary stratosphere and made her one of the most popular authors of her day. In 1932, du Maurier married Major Frederick Browning, with whom she had three children.
Many of du Maurier's bestselling novels and short stories were adapted into award-winning films, including Alfred Hitchcock's The Birds and Nicolas Roeg's Don't Look Now. In 1969 du Maurier was awarded a DBE. She lived most of her life in Cornwall, the setting for many of her books.

  • Other details

  • ISBN: 9781844088799
  • Publication date: 03 May 2012
  • Page count: 448
  • Imprint: Virago
One of the most influential novels of the twentieth century, Rebecca has woven its way into the fabric of our culture with all the troubling power of myth or dream. A stunning book — Sarah Waters
Addictive and breathtaking. Its blending of melodrama and subtlety is ingenious. The Cornish setting never quite leaves the imagination — Independent
With one of the most evocative first lines ever, Daphne du Maurier's fifth novel has everything a reader could ask for . . . Psychologically astute and disturbingly romantic, Rebecca was an immediate bestseller on publication in 1938 and has cast a sinister spell ever since — Marie Claire
A brilliantly constructed novel - the ultimate in psychological suspense, instantly gripping and haunting, Rebecca will stay with you for ever. — Alex Barclay, Psychologies
A mesmerising novel which reveals more on each reading — Helen Dunmore
From the opening sentence - "Last night I dreamed I went to Manderley again" - to the final - "And the ashes blew towards us with the salt wind from the sea" - I was hooked ... Rebecca is one of the underrated classics of the 20th century ... Rebecca is a masterpiece in which du Maurier pulls off several spectacular high-wire acts that many great writers wouldn't attempt — Jim Crace, Guardian
Her masterpiece . . . Seldom has a dead woman exercised such power beyond the grave. Rebecca will live for ever because du Maurier touches a fearful nerve, buried deep in the unconscious — Kate Saunders, The Times
It is the greatest psychological thriller of all time. I see du Maurier as a forerunner to Patricia Highsmith, Ruth Rendell, Gillian Flynn: she is the giant whose magnificent shoulders the rest of us stand upon — Erin Kelly
What she did was build emotional landscapes that can be entered at will, in which difficult and untamable desires were given free rein. Maybe because of her relationship with gender, she was able to make worlds in which people and even houses are mysterious and mutable, not as they seem; haunted rooms in which disembodied spirits sometimes dance at absolute liberty — Olivia Laing, Guardian