The Way Between The Worlds
The View From The Mirror, Volume Four (A Three Worlds Novel)
By Ian Irvine
The View from the Mirror epic fantasy series reaches its magnificent conclusion.
The alliance has failed.
There is a dark full moon on mid-winter's day - sign that the foretelling has come to pass. Karan is held captive in desolate Carcharon tower. Karan's lover, Llian, is in chains, falsely accused of betraying her to the enemy. Rulke the Charon is unstoppable now, and plans to open the Way between the Worlds. If he succeeds the world will be overwhelmed by the dread armies of the void and an endless night will fall...
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Ian Irvine lives in the mountains of NSW, Australia. His first novel was A SHADOW ON THE GLASS, published by Orbit in May 2000.
- Other details
- Publication date:
06 Dec 2001
- Page count:
An extended fantasy sequence has always to deliver an impressive pay-off; The Way Between the Worlds is the fourth and final volume of Ian Irvine's "The View From the Mirror" and brings the quartet to a convolutedly triumphant finale. By now, Irvine has entirely involved our sympathies with the feckless, untrustworthy chronicler Llian and the heroic Karan, who loves him, and, to a lesser degree, to the profoundly morally ambiguous Magraith, whose loyalties have been so endlessly warped and abused by various key magical players in this struggle for the artefacts that will re-open the way through the dangers of the void to the home-worlds they lost. Much of the novel has always had to do with Llian's attempts to uncover precisely what occurred when the path between worlds was closed centuries earlier; Irvine plays fair, giving us some answers and making the sequence's resolution depend on those answers. For someone whose fiction plays so thoroughly with ethically grey areas, Irvine is also admirable in his preparedness to sort out endings that feel right; this is a book in which heroes and villains alike get a part of what they want, but a sort of justice as well. Irvine has brought both a lively intelligence and a keen moral sense to the heroics and spell-play of the modern fantasy novel. — Roz Kaveney