Helene Hanff - 84 Charing Cross Road - Little, Brown Book Group

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  • Paperback
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    • ISBN:9781860498503
    • Publication date:03 Oct 2002
  • Downloadable audio file £P.O.R.
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    • ISBN:9781405503129
    • Publication date:01 Feb 2007
Books in this series

84 Charing Cross Road

By Helene Hanff

  • Paperback
  • £8.99

A timeless classic that should be on every book-lover's 'must read' list. First published in 1971, 84 CHARING CROSS ROAD has never been out of print.

This book is the very simple story of the love affair between Miss Helene Hanff of New York and Messrs Marks and Co, sellers of rare and secondhand books, at 84 Charing Cross Road, London'. DAILY TELEGRAPH
Told in a series of letters in 84 CHARING CROSS ROAD and then in diary form in the second part THE DUCHESS OF BLOOMSBURY STREET, this true story has touched the hearts of thousands.

Biographical Notes

Helene Hanff wrote letters all her life as well as being the author of many books for children and articles for the NEW YORKER and HARPER'S.
She died in 1997.

  • Other details

  • ISBN: 9780751503845
  • Publication date: 01 Sep 1982
  • Page count: 240
  • Imprint: Sphere
A lovely new edition of this classic title — Good Book Guide
A must for anyone who reads - the correspondence between book lover Helen Hanff and Messers Marks & Cross of Charing Cross Road has been reissued. — Daily Express
Unmitigated delight from cover to cover — DAILY TELEGRAPH
A real-life love story . . . A timeless period piece. Do read it — WALL STREET JOURNAL
Constable

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Authors:
James Hogg

The term 'national treasure' has seldom been more appropriate. Richard Briers was not only the nation's favourite next-door neighbour thanks to his work in the iconic BBC sitcom The Good Life, he was an actor you felt like you really knew, despite having only seen him on stage or screen.While his role as Tom Good might be considered the pinnacle of Richard's sixty-year career, it sits atop a mountain of roles that combined represent one of the most productive and varied careers in British entertainment history. Indeed, Richard's television work alone makes up a not insignificant portion of our country's best endeavours on the small screen, from Jackanory and the anarchic Roobarb and Custard through to Dr Who, Inspector Morse, Ever Decreasing Circles, Extras, and the long-running comedy drama, Monarch of the Glen. On the big screen Richard appeared alongside Raquel Welch, Robert De Niro, Denzel Washington, Kathy Bates and Michael Keaton, and he even taught Keanu Reeves how to act like Sir Henry Irving.But it was on the stage where Richard felt most at home as, in addition to testing him as an actor, it would often satisfy his passion for taking risks. Appearances in the West End were often interspersed with pantomime seasons or a world tour playing King Lear alongside Kenneth Branagh and Emma Thompson. He was, as he always described himself, 'just a jobbing actor'.Anecdote-rich, this revealing but celebratory book will also lift the lid on the stories behind the shows, films and plays that made up this extraordinarily prolific career, not to mention Richard's working and personal relationships with many of his best-known collaborators and co-stars.

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Lost Girls

D.J. Taylor
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D.J. Taylor

Who were the Lost Girls? At least a dozen or so young women at large in Blitz-era London have a claim to this title. But Lost Girls concentrates on just four: Lys Lubbock, Sonia Brownell, Barbara Skelton and Janetta Parlade. Chic, glamorous and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, they cut a swathe through English literary and artistic life in the 1940s. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became the mistress of the King of Egypt and was flogged by him on the steps of the Royal Palace. And all of them were associated with the decade's most celebrated literary magazine, Horizon, and its charismatic editor Cyril Connolly. Lys, Sonia, Barbara and Janetta had very different - and sometimes explosive personalities - but taken together they form a distinctive part of the war-time demographic: bright, beautiful, independent-minded women with tough upbringings behind them determined to make the most of their lives in a highly uncertain environment. Theirs was the world of the buzz bomb, the cocktail party behind blackout curtains, the severed hand seen on the pavement in the Bloomsbury square, the rustle of a telegram falling through the letter-box, the hasty farewell to another half who might not ever come back, a world of living for the moment and snatching at pleasure before it disappeared. But if their trail runs through vast acreages of war-time cultural life then, in the end, it returns to Connolly and his amorous web-spinning, in which all four of them regularly featured and which sometimes complicated their emotional lives to the point of meltdown.The Lost Girls were the product of a highly artificial environment. After it came to an end - on Horizon's closure in 1950 - their careers wound on. Later they would have affairs with dukes, feature in celebrity divorce cases and make appearances in the novels of George Orwell, Evelyn Waugh, Anthony Powell and Nancy Mitford. The last of them - Janetta - died as recently as three months ago. However tiny their number, they are a genuine missing link between the first wave of newly-liberated young women of the post-Great War era and the Dionysiac free-for-all of the 1960s. Hectic, passionate and at times unexpectedly poignant, this is their story.

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Anonymous

Between April 20th and June 22nd of 1945 the anonymous author of A Woman in Berlin wrote about life within the falling city as it was sacked by the Russian Army. Fending off the boredom and deprivation of hiding, the author records her experiences, observations and meditations in this stark and vivid diary. Accounts of the bombing, the rapes, the rationing of food and the overwhelming terror of death are rendered in the dispassionate, though determinedly optimistic prose of a woman fighting for survival amidst the horror and inhumanity of war. This diary was first published in America in 1954 in an English translation and in Britain in 1955. A German language edition was published five years later in Geneva and was met with tremendous controversy. In 2003, over forty years later, it was republished in Germany to critical acclaim - and more controversy. This diary has been unavailable since the 1960s and is now newly translated into English. A Woman in Berlin is an astonishing and deeply affecting account.

Little, Brown

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'He's like an American Alan Bennett, in that his own fastidiousness becomes the joke, as per the taxi encounter, or his diary entry about waiting interminably in a coffee-bar queue' Brian Logan, Guardian review of An Evening with David Sedaris. The point is to find out who you are and to be true to that person. Because so often you can't. Won't people turn away if they know the real me? you wonder. The me that hates my own child, that put my perfectly healthy dog to sleep? The me who thinks, deep down, that maybe The Wire was overrated?For nearly four decades, David Sedaris has faithfully kept a diary in which he records his thoughts and observations on the odd and funny events he witnesses. Anyone who has attended a live Sedaris event knows that his diary readings are often among the most joyful parts of the evening. But never before have they been available in print. Now, in Theft by Finding, Sedaris brings us his favorite entries. From the family home in Ralegh, North Carolina, we follow Sedaris as he sets out to make his way in the world. As an art student and then teacher in Chicago he works at a succession of very odd jobs, meeting even odder people, before moving to New York to pursue a career as a writer - where instead he very quickly lands a job in Macy's department store as an elf in Santaland... Tender, hilarious, illuminating, and endlessly captivating, Theft by Finding offers a rare look into the mind of one of our generation's greatest comic geniuses.

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Virago

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Sphere

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Sphere

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