Rabih Alameddine is a master of both the intimate and the global -- and The Wrong End of the Telescope finds him at the top of his craft. A story of rescue, identity, deracination, and connection, this novel is timely and urgent and a lot of fun.
The incomparable Rabih Alameddine's latest novel shows sly wit, poetic turns of phrase, and the slow-burning outrage at the ongoing Mediterranean refugee crisis--but I particularly love his understated handling of Mina, the novel's transgender narrator. Her identity is not a battlefield for the culture wars, just a refreshingly unproblematic perspective from which a story unfolds.
Alameddine hits a distinctly contemporary note with this new book about refugees . . . it feels totally authentic on Middle Eastern culture
The Wrong End of the Telescope is the best kind of prose. Lines break out like poetry and the story muscles on, telling. The setting is real history which I'm hungry for and Rabih Alameddine queers it handsomely with all kinds of love and a feeling that existence is pure experience, not language at all and the shape of this book, right up to the end, is a becoming.