Morgan Parker''s bombastic second book profoundly expresses a black millennial consciousness with anger and appetite.
Parker's poems are the real thing. By turns lyrical and declarative, rich with striking details and unexpected images
Some of the most brilliant and daring poetry published in recent years. From police violence to the Obamas to, well, Beyoncé, this collection is not only visceral and beautiful but also full of wit, pop culture and political references.
[A] brash, risqué collection that explores what it means to be a black woman in contemporary American culture. Parker, whose first book won the Gatewood Prize, is as self-assured as the women who appear in these pages, including Queen Latifah, Nikki Giovanni and Michelle Obama. Cultural references, old songs and classic poems spark observations about feminism, sex and desire at a time when "There's far too many of me dying./ The present is not so different." . . . Each woman in this fierce collection wants to be seen for who she is, not what society wants her to be, and each demands respect.
An excellent collection of poems
Parker's poetry is a sledgehammer covered in silk, exposing black women's vulnerability and power and underscoring what it means to be magical and in pain.
Full of soul, sass, vim and attitude . . Playful, angry, sexy and as accessible as it is acerbic.
This singular poetry collection is a dynamic meditation on the experience of, and societal narratives surrounding, contemporary black womanhood. . . . Ranging from orderly couplets to an itemized list titled after Jay Z's "99 Problems" to lines interrupted by gaping white space, these exquisite poems defy categorization.