Carmen (Book And CDs)
By Georges Bizet
The Black Dog Opera Library is the best, easiest and most informative and budget-friendly way to enjoy four of the greatest operas of all time. Finally available again, and packaged with gorgeous new covers, each book in the library includes the complete opera on 2 CDs, featuring world-class performances and orchestras; the complete libretto, plus its English translation; an exciting history of the opera; a biography of the composer; a synopsis of the story, broken down by act and scene; and dozens of photographs and drawings depicting performances, singers, sets, costumes, and more.Carmen features Grace Bumbry, Jon Vickers, Mirella Freni, and Kostas Paskalis, with Rafael Fru?beck de Burgos conducting the Orchestra of the Th??tre National de l'Op?ra.?Also available:La Boh?me featuring Nicolai Gedda and Mirella Freni, with Thomas Schippers conducting the Orchestro e Coro del Teatro dell'Opera di Roma; La Traviata featuring Beverly Sills, Nicolai Gedda, and Rolando Panerai, with Aldo Ceccato conducting the Royal Philharmonic Orchestra; The Marriage of Figaro featuring Dietrich Fischer-Dieskau, Heather Harper, Judith Blegen, Geraint Evans, Teresa Berganza, and Birgit Finnil?, with Daniel Barenboim conducting the English Chamber Orchestra.Listen. Enjoy. Learn.
Crosby, Stills & Nash
By Dave Zimmer, Henry Diltz
Crosby, Stills & Nash created some of the most indelible songs and beautiful harmonies of the late 1960s and early 1970s: Suite: Judy Blue Eyes," Woodstock," Teach Your Children." This copiously illustrated account of the trio's personal and musical history tells the story behind the songs. Longtime CSN chronicler Dave Zimmer, with the full cooperation of the band, traces all of the performers from their musical roots to their first song together in L.A.'s storied Laurel Canyon from their addition of Neil Young to Woodstock and through their stormy years of creative conflicts, reunions, and reconciliations. This new edition has been fully reconfigured and updated to celebrate the trio's 40th anniversary and to accommodate over 300 photos, as well as Crosby, Stills, Nash & Young's controversial Living with War tour.
By Stanley Crouch
Stanley Crouch-MacArthur Genius" Award recipient, co-founder of Jazz at Lincoln centre, National Book Award nominee, and perennial bull in the china shop of black intelligentsia-has been writing about jazz and jazz artists for more than thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddons notes: Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back." In Considering Genius , Crouch collects some of his best loved, most influential, and most controversial pieces (published in Jazz Times , The New Yorker , the Village Voice , and elsewhere), together with two new essays. The pieces range from the introspective Jazz Criticism and Its Effect on the Art Form" to a rollicking debate with Amiri Baraka, to vivid, intimate portraits of the legendary performers Crouch has known.
Cinderella's Big Score
By Maria Raha
Cinderella's Big Score celebrates the contributions of punk's oft-overlooked female artists, explores the latent,and not so latent,sexism of indie rock (so often thought of as the hallowed ground of progressive movements), and tells the story of how these women created spaces for themselves in a sometimes limited or exclusionary environment. The indie music world is littered with females who have not only withstood the racket of punk's intolerance, but have twisted our societal notions of femininity in knots.Raha focuses on the United States and England in the 70s and 80s, and illuminates how the seminal women of this time shaped the female rockers of the 90s and today. Groups profiled range from The Runaways, The Slits, and The Plasmatics to L7, Sleater-Kinney, and Le Tigre. The book includes women not often featured in "women in rock" titles, such as Exene Cervenka of X, Eve Libertine and Joy de Vivre of Crass, and Poison Ivy Rorschach of the Cramps. Includes rare interviews and more than forty B&W photos.
Castles Made Of Sound
By Larry Hicock
Gil Evans was once described by Miles Davis as "the greatest musician in the world," yet he has remained one of the least known and most underrated innovators in jazz. Revered by generations of musicians, Evans created a unique sound, drawing from such diverse inspirations as Duke Ellington, Claude Debussy, Charlie Parker, Cecil Taylor, and Jimi Hendrix. Best known for his collaboration with Miles Davis on albums such as Birth of the Cool and Sketches of Spain , Gil Evans secured a crucial place in the history of modern jazz with his stunning orchestral arrangements. Now Evans's life and work are critically explored in this intimate, comprehensive biography of the arranger, composer, orchestrator, and bandleader. Hicock traces Evans's early work with swing, bebop, and cool jazz (which he helped to create) examines his pathbreaking work with Miles Davis sheds new light on his innovations of the 1960s and'70s and recounts his great final flourish of activities in the 1980s. Drawing from more than seventy exclusive interviews and featuring the voices of many of Evans's fellow musicians, this portrait of a quiet innovator and a beloved free spirit will restore him to his rightful place in jazz history.
Call Me Lucky
By Bing Crosby, Pete Martin
Reissued to coincide with the paperback publication of the definitive Bing biography by Gary Giddins, here is "a collection of anecdotes and reminiscences that is as warm and witty as any Crosby performance. [Bing] could have surely become a full-time writer had his schedule not been taken up with being one of the great entertainers of the century." -Will Friedwald
Can't You Hear Me Calling
By Richard Smith
Considering the range of stars that have claimed Bill Monroe as an influence,Elvis Presley, Bob Dylan, and Jerry Garcia are just a few,it can be said that no single artist has had as broad an impact on American popular music as he did. For sixty years, Monroe was a star at the Grand Ole Opry, and when he died in 1996, he was universally hailed as "the Father of Bluegrass." But the personal life of this taciturn figure remained largely unknown. Delving into everything from Monroe's professional successes to his bitter rivalries, from his isolated childhood to his reckless womanizing, veteran bluegrass journalist Richard D. Smith has created a three-dimensional portrait of this brilliant, complex, and contradictory man. Featuring over 120 interviews, this scrupulously researched work,a Chicago Tribune Choice Selection, New York Times Notable Book, and Los Angeles Times Best Book of 2000,stands as the authoritative biography of a true giant of American music.
A Cure For Gravity
By Joe Jackson
Since the release of his first best-selling album Look Sharp in 1979, Joe Jackson has forged a singular career in music through his originality as a composer and his notoriously independent stance toward music-business fashion. He has also been a famously private person, whose lack of interest in his own celebrity has been interpreted by some as aloofness. That reputation is shattered by A Cure for Gravity , Jackson's enormously funny and revealing memoir of growing up musical, from a culturally impoverished childhood in a rough English port town to the Royal Academy of Music, through London's Punk and New Wave scenes, up to the brink of pop stardom. Jackson describes his life as a teenage Beethoven fanatic his early piano gigs for audiences of glass-throwing skinheads and his days on the road with long-forgotten club bands. Far from a standard-issue celebrity autobiography, A Cure for Gravity is a smart, passionate book about music, the creative process, and coming of age as an artist.
By John Glatt
The history of the Chieftains over the last thirty-five years is the remarkable tale of how an unlikely group of enthusiasts came together to rescue some of the world's most beautiful music from near-extinction, brought it to an audience of millions, and became stars. Based on exclusive and extensive interviews with all the band's members, their families and friends, and with many of the international superstars who have recorded with them, The Chieftains tells the group's own story for the first time, with insight, wit, and charm.
By Christopher Sandford
This updated edition of Clapton (based on exclusive sources, including interviews with former band members) discusses his recent albums From the Cradle, Retail Therapy, and Pilgrim his erratic love life and his 1998 American tour. From his pioneering work with the Yardbirds and John Mayall's Bluesbreakers, through his superstardom in Cream, to his Grammy-winning solo career, here is blues and rock icon Eric Clapton in all his personal and musical complexity.
Contemporary Composers On Contemporary Music
By Barney Childs, Elliott Schwartz, Jim Fox
This anthology of essays, interviews, and autobiographical pieces provides an invaluable overview of the evolution of contemporary music,from chromaticism, serialism, and indeterminacy to jazz, vernacular, electronic, and non-Western influences. Featuring classic essays by Stravinsky, Stockhausen, and Reich, as well as writings by lesser-known but equally innovative composers such as Jack Beeson, Richard Maxfield, and T. J. Anderson, this collection covers a broad range of styles and approaches. Here you will find Busoni's influential "Sketch of a New Esthetic of Music" Partch's exploration of a new notation system Babbitt's defence of advanced composition in his controversial "Who Cares If You Listen?" and Pauline Oliveros's meditations on sound. Now updated with fifteen new composers including Michael Tippet, György Ligeti, Gunther Schuller, Ben Johnston, Sofia Gubaidulina, and William Bolcom, this important book gathers together forty-nine pieces,many out of print and some newly written for this volume,which serve as a documentary history of twentieth-century music, in theory and practice. Impassioned, provocative, and eloquent, these writings are as exciting and diverse as the music they discuss.
Celebrating The Duke
By Ralph J. Gleason
Celebrating the Duke offers readers a perceptive, panoramic survey of jazz as revealed, in illuminating detail, through the lives and music of its heroes and heroines, including Bessie Smith, Louis Armstrong, Jimmie Lunceford, Lester Young, Charlie Parker, Albert Ayler, Dizzy Gillespie, Miles Davis, and a rich cache of writings on "America's greatest composer," the Duke himself.
The Complete Operas Of Richard Wagner
By Charles Osborne
Wagner's operas can be counted among the most important works of art of the nineteenth century. But Wagner was a composer around whom violent artistic, political, and literary controversies raged during his lifetime. Even today, Wagner's music seems to arouse either adulation or antipathy. In The Complete Operas of Richard Wagner, as in the first four volumes of his famous series on the great opera composers, Charles Osborne first describes the composer's life at the time he wrote each opera, thus providing a biographical thread which runs through the book follows it with a thorough examination of the libretto and its sources and lastly tells the story of the opera, which he links to the major musical features.This book is, in effect, a musical biography of Wagner, tracing his development from his first complete opera, Die Feen, to his last, Parsifal. It serves as an invaluable guide to the often perplexing Wagner oeuvre both for the regular opera-goer and the armchair listener.
The Complete Operas Of Puccini
By Charles Osborne
While Puccini wrote only twelve operas during a long life,three of them one-acters designed to be performed together,he has to be ranked today as the world's most popular composer of opera. His La Bohème and Tosca are more frequently performed in the major opera houses than works by other composers, and Madame Butterfly and Manon Lescaut rank not far behind. What is the explanation for Puccini's enormous success? How do his operas work as music and drama? What was he like to contemporaries such as Verdi, Toscanini, and Caruso? Charles Osborne, author of highly successful Complete Operas of Verdi and Complete Operas of Mozart, here analyzes the entire Puccini oeuvre,from Tosca and Turandot to the less-often performed Edgar, La Fanciulla del West, and La Rondine. His fourfold approach,linking biography with musical, textual, and dramatic analysis,is especially valuable for Puccini, who revealed many of his personal contradictions in his music and whose sense of detail can be appreciated by close study of the scores and characters. For the legions of Puccini lovers everywhere, this guide to his life and work can serve as an ideal reference source and opera companion.
The Complete Operas Of Mozart
By Charles Osborne
The major operas of Mozart, Don Giovanni, The Marriage of Figaro, The Magic Flute, Cosìfan Tutte ,are well known to music listeners everywhere, having secured a permanent place in the repertoire of companies throughout the world. But how much do you know about La Clemenza di Tito, Idomeneo, L'Oca del Cairo, Zaide? Charles Osborne here provides detailed descriptions of all of these and fourteen others in a volume that serves both a first-rate biography and an exhaustive critical guide to the Mozart oeuvre. Charles Osborne is obviously in command of the literature: He quotes copiously from the mountain of letters, contemporary journals, and the most recent scholarship dealing with the period. His fourfold approach,linking biography with musical, textual, and dramatic analysis,is uniquely satisfying for those seeking an integrated understanding of opera's many dimensions. With a plot summary and character listings of each work, The Completes Operas of Mozart can be read in one sitting for a panoramic sweep of Mozart's operatic genius or for reliable reference by the phonograph or radio.
By Mike Rowe, Ronald Radano
Chicago has always had a reputation as a "wide open town" with a high tolerance for gangsters, illegal liquor, and crooked politicians. It has also been the home for countless black musicians and the birthplace of a distinctly urban blues,more sophisticated, cynical, and street-smart than the anguished songs of the Mississippi delta,a music called the Chicago blues. This is the history of that music and the dozens of black artists who congregated on the South and Near West Sides. Muddy Waters, Big Bill Broonzy, Howlin' Wolf, Elmore James, Tampa Red, Little Walter, Jimmy Reed, Otis Rush, Sonny Boy Williamson, Junior Wells, Eddie Taylor,all of these giants played throughout the city and created a musical style that had imitators and influence all over the world.
By Charles Schwartz
In 1933 Irving Berlin wrote to composer-lyricist Cole Porter, "I am mad about Night and Day ." Millions of others throughout the world have been "mad about" that Porter gem, as well as dozens of others, including, to name just a few, Begin the Beguine, From This Moment On, It's De-Lovely, Just One of Those Things, Love for Sale , and My Heart Belongs to Daddy . Cole Porter (1891-1964) set new standards for popular song-writing, and his lyrics and melodies are as bright and sophisticated today as when they first dazzled audiences decades ago. Porter's own life matched that of his songs for urbanity, wit, and elegance, and in New York, Hollywood, and on the Continent he was an arbiter of taste and fashion and part of the glamorous international set of the Twenties and Thirties. He numbered among his friends Cary Grant, Noel Coward, Fred Astaire, Ethel Merman, Elsa Maxwell, Fanny Brice, and Monty Woolley, as well as many other stars of stage, screen, or society. Cole Porter: A Biography is a delightfully written and meticulously researched book that takes us from the composer's Indiana childhood to his celebrity days, discussing with exceptional honesty his family and friends, his wife and his many lovers, and above all, his music. Charles Schwartz's account of Cole Porter is the most revealing, comprehensive, and objective biography to date of an extraordinarily talented and fascinating man.
The Country Blues
By Samuel B. Charters
From the field cries and work chants of Southern Negroes emerged a rich and vital music called the country blues, an intensely personal expression of the pains and pleasures of black life. This music- recorded during the twenties by men like Blind Lemon Jefferson, Big Bill Broonzy, and Robert Johnson- had all but disappeared from memory until the folk music revival of the late 1950's created a new and appreciable audience for the country blues.On of the pioneering studies of this unjustly-neglected music was Sam Charter's The Country Blues. In it, Charters recreates the special world of the country bluesman- that lone black performer accompanying himself on the acoustic guitar, his music a rich reflection of his own emotional life.Virtually rewriting the history of the blues, Charters reconstructs its evolution and dissemination, from the first tentative soundings on the Mississippi Delta through the emergence, with Elvis Presley, of rock and roll. His carefully-researched biographies of near-legendary performers like Lonnie Johnson, Blind Boy Fuller, and Tampa Red- coupled with his perceptive discussions of their recordings- pay tribute to a kind of artistry that will never be seen or heard again. And his portraits of the still-strumming Sonny Terry, Brownie McGhee, Muddy Waters, and Lightnin' Hopkins- point up the undying strength and vitality of the country blues.