By Corey Taylor
The always-outspoken hard rock vocalist Corey Taylor begins America 51 with a reflection on what his itinerant youth and frequent worldwide travels with his multiplatinum bands Slipknot and Stone Sour have taught him about what it means to be an American in an increasingly unstable world. He examines the way America sees itself, specifically with regard to the propaganda surrounding America's origins (like a heavy-metal Howard Zinn), while also celebrating the quirks and behavior that make a true-blue American. Taylor likewise takes a look at how the world views us, and his findings should come as a surprise to no one. But behind Taylor's ranting and raving is a thoughtful and intelligent consideration, and even a sadness, of what America is compared to what it could and should be.Expertly balancing humor, outrage, and disbelief, Taylor examines the rotting core of America, evaluating everything from politics and race relations to modern family dynamics, millennials, and "man buns." No element of what constitutes America is safe from his adept and scathing eye. Continuing the wave of moral outrage begun in You're Making Me Hate You, Taylor flawlessly skewers contemporary America in his own signature style.
Access All Areas
By Scott Ian
Scott Ian, rhythm guitarist and cofounder of Anthrax and author of I'm the Man, collects all of his craziest hard rock stories into one balls-to-the-wall volume. Access All Areas has tales of humor, excess, fun, debauchery, food, booze, and mayhem from Scott's many years on the road as well as his encounters with celebrities like Dimebag Darrell, Trent Reznor/NIN, Madonna, Lemmy Kilmister, John Carpenter, Robert Trujillo (Metallica), Slayer, David Lee Roth, and many more.In recent years, Scott Ian's "Speaking Words" club tours have drawn a devoted crowd of metal fans who love a good rock story. Ian has perfected his delivery, comic timing, and ability to highlight where the ridiculous meets the sublime. Best of all, Ian seems to lack the ability to be embarrassed, rendering Access All Areas howlingly funny, self-deprecating, and every bit as brash and brazen as one would expect from one of the original architects of speed metal.
All The Songs
By Jean-Michel Guesdon, Patti Smith, Philippe Margotin, Scott Freiman
Every album and every song ever released by the Beatles?from 'Please Please Me' (U.S. 1963) to 'The Long and Winding Road' (U.S. 1970)?is dissected, discussed, and analyzed by two music historians in this lively and fully illustrated work.All the Songs delves deep into the history and origins of the Beatles and their music. This first-of-its-kind book draws upon decades of research, as music historians Margotin and Guesdon recount the circumstances that led to the composition of every song, the recording process, and the instruments used.Here, we learn that one of John Lennon's favorite guitars was a 1958 Rickenbacker 325 Capri, which he bought for ?100 in 1960 in Hamburg, Germany. We also learn that 'Love Me Do,' recorded in Abbey Road Studios in September 1962, took 18 takes to get right, even though it was one of the first songs John and Paul ever wrote together. And the authors reveal that when the Beatles performed 'I Want to Hold Your Hand' on The Ed Sullivan Show in 1964, John's microphone wasn't turned on, so viewers heard only Paul singing.The hundreds of photographs throughout the book include rare black-and-white publicity stills, images of Beatles instruments, and engaging shots of the musicians in-studio.All the Songs is the must-have Beatles book for the any true Beatles fan.?
All the Madmen
By Clinton Heylin
By the end of 1968 The Beatles were far too busy squabbling with each other, while The Stones had simply stopped making music; English Rock was coming to an end. All the Mad Men tells the story of six stars that travelled to edge of sanity in the years following the summer of love: Pete Townshend, Ray Davies, Peter Green, Syd Barrett, Nick Drake, and David Bowie. The book charts how they made some of the most seminal rock music ever recorded: Pink Moon; Ziggy Stardust; Quadrophenia; Dark Side of the Moon; Muswell Hillbillies - and how some of them could not make it back from the brink. The extraordinary story of how English Rock went mad and found itself
Apathy for the Devil
By Nick Kent
Chronicling Nick Kent's up-close , personal, often harrowing adventures with the Rolling Stones, Lester Bangs, David Bowie, Led Zeppelin, the Sex Pistols, and Chrissie Hynde, among scores of others, Apathy for the Devil is a picaresque memoir that bears witness to the beautiful and the damned of this turbulent decade. As a college dropout barely out of his teens, Kent's first five interviews were with the MC5, Captain Beefheart, the Grateful Dead, the Stooges, and Lou Reed. But after the excitement and freedom of those early years, his story would come to mirror that of the decade itself, as he slipped into excess and ever-worsening heroin use. Apathy for the Devil is a compelling story of inspiration, success, burn out, and rebirth from a classic wordsmith.
All Yesterdays' Parties
By Clinton Heylin
The Velvet Underground, among the most influential bands of all time, are credited with creating a streetwise, pre-punk sensibility that has become inseparable from the popular image of downtown New York. "Discovered" by Andy Warhol in 1966, the VU - with their original line-up of Lou Reed, John Cale, Sterling Morrison, and Mo Tucker - would soon become the house band of the avantgarde, composing songs simultaneously furious in their abrasiveness and beautiful in their pathos, standing in striking contrast to the prevailing flower power of the era. All Yesterdays' Parties gathers for the first time almost all of the published writings contemporary with the band's existence-from sources as mainstream as the New York Times to vanished voices of the counterculture like Oz, Fusion , and Crawdaddy! The book is a revealing snapshot of an era by trailblazing rock writers such as Lester Bangs, Robert Greenfield, and Paul Williams. With photographs, posters, and other visual evocations of the period throughout, All Yesterdays' Parties is an invaluable resource, a trove of lore for anyone interested in the VU, their roots, and legacy.
American Music Is
By Nat Hentoff
Writing in a passionate and streetwise style all his own, Nat Hentoff transports us into the diverse worlds of musicians that hold one thing in common: America. In over sixty pieces Hentoff has assembled a mosaic that creates a vivid picture of the music scene as it leaps into the twenty-first century. From sweeping surveys of the roots of American music to vivid assessments of individual performers (including John Coltrane, Billie Holiday, Joe Williams, Doc Pomus, Duke Ellington, Willie Nelson, and many more) Hentoff demonstrates once again why he is lauded as "a critic par excellence" ( Publishers Weekly ). American Music Is compiles the best of his essays into a potent reader, collecting his most illuminating writing on a broad range of topics. For those who love jazz, blues, country, gospel, or folk, American Music Is provides eloquent and powerful insights. For those who love all of them, it is required reading.
As Thousands Cheer
By Laurence Bergreen
Irving Berlin (1888-1989) was unable to read or write music and could only play the piano in the key of F-sharp major yet, for the first half of the twentieth century he was America's most successful and most representative songwriter, composing such hits as "Alexander's Ragtime Band," "Cheek to Cheek," "Let's Face the Music and Dance," "Puttin' on the Ritz," "White Christmas," "Anything You Can Do," "There's No Business Like Show Business," and "God Bless America." As Thousands Cheer, winner of the Ralph J. Gleason Music Book Award, explores with precision and sensitivity Berlin's long, prolific career his self-doubt and late-blooming misanthropy and the tyrannical control he exerted over his legacy of song. From his immigrant beginnings through Tin Pan Alley, Broadway, and Hollywood to his reclusive and bitter final years, this definitive biography reveals the man who wrote 1500 songs but could never quash the fear that, for all his success, he wasn't quite good enough.
By Kerry Segrave, Linda Martin
Rock is a music of rebellion against authority, and has consequently frightened and outraged people throughout its forty-year history. Anti-Rock is the first book to detail the objections of rock's detractors. Critics from parents to religious groups, industry executives to scientists, government spokesmen to eccentric crusaders, have all attacked rock vehemently with comments such as "It's the jungle strain gets'em all worked up" it's "one step from fascism" and "These deafening, dope-ridden, degenerate mob scenes have no more place in our America than would a publicly promoted gang rape." Here is: Albert Goldman, writing in the New York Times in 1968, comparing Mick Jagger to Adolf Hitler. A 1981 university study concluding that prolonged exposure to disco music "causes homosexuality in mice and deafness in pigs." Dr. John, a New York physician, writing in 1977 that rock music causes "a breakdown in the synchronization of the two sides of the brain." Tipper Gore, the former Vice-President's wife, co-chair of the Parents Music Resource centre and author of Raising PG Kids in an X-Rated Society, commenting on heavy metal lyrics: "I'm a fairly with-it person, but this stuff is curling my hair."
The Aesthetics Of Rock
By Richard Meltzer
This infamous book has enjoyed a lively underground reputation since its first publication in 1970. Richard Meltzer (a.k.a. R. Meltzer) took his training as a young philosopher and applied it with unalloyed enthusiasm to the lyrics, sound, and culture of rock and roll. Never before had anyone noticed the relationship between the philosophy of Heidegger and a tune by Little Anthony and the Imperials, heard the cries of agony in the Shangri Las' Remember (Walkin' in the Sand)", or transcribed every "papa-ooma-mow-mow" in the Trashmen's Surfin' Bird."From Dionne Warwick to Plato, Jim Morrison to Bert Brecht, Conway Twitty to Miguel de Unamuno, Meltzer subverts high and low culture in his search for meaning, emotion, and codes in popular music. At once an earnest investigation and a crypto put-on, the book can be read for its nuggets of information and insights or for its humour. Here with Greil Marcus's new introduction, yet another generation of readers can be outraged and inspired.
An Encyclopedia Of Quotations About Music
By Nat Shapiro
Collected here for the first time are more than 2,000 wise and witty quotations on every type of music and musicians, from Plato to Igor Stravinsky, Duke Ellington, Frank Sinatra, John Lennon, and a host of other luminaries. What they have to say about composers, concerts, critics, conducting, various instruments, and about music and truth, solitude, women, love, death, war, and health makes a true Bartlett's for music-lovers and -haters alike.
An Encyclopedia Of The Violin
By Alberto Bachmann
This encyclopaedia is the diverse lexicographic work available in the English language and provides a treasure trove of information on the violin,its technique, its history, and its place in music. Beginning with the 1880's, the work traces the evolution of violin technique, examines its construction and manufacture, lists makers in America and Europe, offers a biographical section on chamber music ensembles with rare photographs, and presents a glossary of music and musical terms. This Da Capo paperback features a new preface by noted concert violinist, Stuart Canin. This standard handbook for professional musicians and students will interest all those with a love for music.