Change For A Farthing
By Ken McCoy
Ten-year-old Amy Farthing miraculously survives the sinking of the Lusitania, but loses both her parents in the disaster. However, on her arrival in England, her rich paternal grandfather, Godfrey Farthing, disowns the little girl, for reasons he will not divulge. Although she is confused and hurt by his behaviour, Amy is thankfully welcomed by her maternal grandmother, Beth, and quickly exchanges her life of privilege in New York for the hard realities of a mill town in Yorkshire. Despite the differences, Amy starts to settle in, adjust to her new surroundings and make friends, especially with local lad, Billy Eccles.However, unbeknownst to Amy and Beth, Amy is the one true heir to the Farthing fortune, and Godfrey is prepared to take whatever measures necessary to ensure she never finds out . . .
Catch A Falling Star
By Ken McCoy
The only life Dove McKenna has ever known has been one of the open road. Living with her parents and her brother in a show wagon, travelling from town to town, performing for folk happy enough to pay them for their entertainment, whilst dismissing them as 'gippos' and 'thieves' behind their backs. But it is not until after their mother's death that they settle in one place long enough for Dove to really feel her difference. The McKennas set up camp on a patch of barren land just outside Leeds and Dove and Henry finally get the chance to go to school. And though at St Joseph's they encounter prejudice from pupils, teachers and parents, they find friendships too. Dove begins to dream of acceptance and perhaps even a better home life. For, when sober, their father is an amiable enough soul, but when drunk he can be a monster. And Malachy McKenna is drunk more often than not . . .
By Anne Douglas
Madge Ritchie moves into Catherine's Land with her three young daughters when the death of her husband leaves her in reduced circumstances. By 1920 she cannot imagine life without the hurly-burly of the tenement. Two of her girls, however, dream of something very different.
By Lawrence Lessig
There's a common belief that cyberspace cannot be regulated-that it is, in its very essence, immune from the government's (or anyone else's) control. Code , first published in 2000, argues that this belief is wrong. It is not in the nature of cyberspace to be unregulable cyberspace has no nature." It only has code-the software and hardware that make cyberspace what it is. That code can create a place of freedom-as the original architecture of the Net did-or a place of oppressive control. Under the influence of commerce, cyberspace is becoming a highly regulable space, where behaviour is much more tightly controlled than in real space. But that's not inevitable either. We can-we must-choose what kind of cyberspace we want and what freedoms we will guarantee. These choices are all about architecture: about what kind of code will govern cyberspace, and who will control it. In this realm, code is the most significant form of law, and it is up to lawyers, policymakers, and especially citizens to decide what values that code embodies. Since its original publication, this seminal book has earned the status of a minor classic. This second edition, or Version 2.0, has been prepared through the author's wiki, a web site that allows readers to edit the text, making this the first reader-edited revision of a popular book.
Catching Life By The Throat
By Josephine Hart
This book is an anthology of poems by WH Auden, TS Eliot, Philip Larkin, Emily Dickinson, Marianne Moore, Rudyard Kipling, Sylvia Plath and W B Yeats, introduced by Josephine Hart and accompanied by a complimentary 80 minute CD featuring a selection of the actors' readings. 'The idea is simple,' says Josephine Hart as she introduces the poets and takes us through their life and writings, 'an understanding of the life and philosophy of the poet illuminates the poetry and therefore makes the experience of reading or listening to each poem more intense.' 'This book will, I hope, bring the magic of the events to a much greater audience.' Whether you believe, like Robert Frost, that poetry is a way of catching life by the throat or, like Eliot, it is one person talking to another, nobody does it better than the poets whose work and life will feature in this publication.
Cuidate (MGM/Mirage Edition)
By Donald M. Vickery