Philip Gwynne Jones - Vengeance in Venice - Little, Brown Book Group

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    • ISBN:9781472123992
    • Publication date:05 Apr 2018

Vengeance in Venice

By Philip Gwynne Jones

  • Paperback
  • £8.99

Philip Gwynne Jones' second book featuring English Honorary Consul, Nathan Sutherland - set against the background of Venice, the most beautiful city on earth.

There aren't that many perks to being Honorary Consul in Venice, but Nathan Sutherland does at least receive an invitation to the official opening of the British Pavilion at the Venice Biennale.

A chance for prosecco in the sunshine, and to meet some of the greats of the art world. And then a world-famous critic is decapitated by one of the installations. A terrible accident, it seems, until a postcard is discovered in the victim's pocket. An image of Judith beheading Holofernes.

Then a viperous arts columnist receives an image of The Death of Marat. A journalist with a shady past receives a postcard of Dore's Triumph of Death. And a corrupt agent receives Mantegna's Martyrdom of St Sebastian.

As the bodies pile up, all signs point to Paul Considine, a brilliant but vulnerable British artist with a motive for revenge against all the victims. Nathan, however, isn't convinced, and sets out to prove his innocence. But then Nathan himself receives an image of Death bearing a scythe, and finds himself in a race against time to save his own life...

Biographical Notes

Philip Gwynne Jones was born in South Wales in 1966, and lived and worked throughout Europe before settling in Scotland in the 1990s. He first came to Italy in 1994, when he spent some time working for the European Space Agency in Frascati, a job that proved to be less exciting than he had imagined.

He spent twenty years in the IT industry before realising he was congenitally unsuited to it. Furthermore, an attempt to find a secure, well-paid job with a proper pension had resulted in him finding himself in the IT department of a large Scottish bank during the global financial crisis.

Something, clearly, had to change. And so it was that - following a conversation with a man in a pub - Philip and Caroline left their jobs, sold their flat and moved to Venice in search of a better, simpler future. They were wrong about the 'simpler' bit . . .

Philip now works as a teacher, writer and translator, and lives in Venice with Caroline. He enjoys cooking, art, classical music and opera; and can occasionally be seen and heard singing bass with Cantori Veneziani and the Ensemble Vocale di Venezia.

  • Other details

  • ISBN: 9781472124005
  • Publication date: 05 Apr 2018
  • Page count: 352
  • Imprint: Constable
Sinister and shimmering, The Venetian Game is as haunting and darkly elegant as Venice itself — L.S. Hilton, bestselling author of Maestra
...a playful novel, recounted by a witty and engaging narrator ... as Venetian as a painting by Bellini (or a glass of Bellini). Oh, and it's also an unputdownable thriller — Gregory Dowling, author of Ascension on The Venetian Game
A crime book for people with sophisticated tastes: Venice, opera, renaissance art, good food and wine... I enjoyed all that and more — The Crime Warp
It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax — Daily Mail on The Venetian Game
The Venetian setting is vividly described and Gwynne Jones's good, fluent writing makes for easy reading — Jessica Mann, Literary Review
a civilized, knowledgeable, charming antidote to the darker reaches of the genre, full of entertaining descriptions of the city... Lovely. Makes you want to book a flight to Venice straight away — N J Cooper, Bookoxygen.com
...he puts not one foot wrong with his topography and knowledge... Add a satisfyingly (but not gratuitously) surprising and action-packed ending and you have a book that I can wholeheartedly recommend — Jeff Cotton, Fictional Cities on The Venetian Game
A crime story that positively thrives among the shadowy streets and canals of Venice... Gorgeous escapism with stacks of atmosphere and double-cross — Sue Price, Saga magazine
This entertaining thriller makes good use of its watery setting, introducing readers to a rougher Venice, hidden behind the familiar facade of gondoliers and frescoes — Morning Star on The Venetian Game
...a quite excellent book... Philip is entirely knowledgable about the buildings and art of the city. It forms a perfect background to a very well worked thriller — TripFiction.com
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