The House On The Strand
By Daphne Du Maurier
In this intriguing tale of time travel, du Maurier interweaves past and present together in a novel that is as rich and imaginative as anything she ever wrote.
From the internationally bestselling author of Rebecca, this intriguing tale of time travel demonstrates Daphne du Maurier's talents as 'a writer of fearless originality' (The Guardian)
When Dick Young's friend, Professor Magnus Lane, offers him an escape from his troubles in the form of a new drug, Dick finds himself transported to fourteenth-century Cornwall. There, in the manor of Tywardreath, the domain of Sir Henry Champerhoune, he witnesses intrigue, adultery and murder.
The more time Dick spends consumed in the past, the more he withdraws from the modern world. With each dose of the drug, his body and mind become addicted to this otherworld, and his attempts to change history bring terror to the present and put his own life in jeopardy.
'Prime du Maurier. . . . She holds her characters close to reality; the past she creates is valid, and her skill in finessing the time shifts is enough to make one want to try a little of the brew himself' -New York Times
Daphne du Maurier (1907-89) was born in London, the daughter of the famous actor-manager Sir Gerald du Maurier and granddaughter of George du Maurier, the author and artist. In 1931 her first novel, The Loving Spirit, was published. A biography of her father and three other novels followed, but it was the novel Rebecca that launched her into the literary stratosphere and made her one of the most popular authors of her day. In 1932, du Maurier married Major Frederick Browning, with whom she had three children.
Many of du Maurier's bestselling novels and short stories were adapted into award-winning films, including Alfred Hitchcock's The Birds and Nicolas Roeg's Don't Look Now. In 1969 du Maurier was awarded a DBE. She lived most of her life in Cornwall, the setting for many of her books.
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- Publication date:
07 Jun 2012
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The House on the Strand is prime du Maurier. . . . She holds her characters close to reality; the past she creates is valid, and her skill in finessing the time shifts is enough to make one want to try a little of the brew himself — New York Times
No other popular writer has so triumphantly defied classification . . . She satisfied all the questionable criteria of popular fiction, and yet satisfied the exacting requirements of "real literature", something very few novelists ever do — Margaret Forster
She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality — Guardian