'Chigozie Obioma is a writer to watch' The Economist
Umuahia, Nigeria. Chinonso, a young poultry farmer, sees a woman attempting to jump to her death from a highway bridge. Horrified by her recklessness, Chinonso joins her on the roadside and hurls two of his most prized chickens into the water below to demonstrate the severity of the fall. The woman, Ndali, is moved by his sacrifice.
Bonded by this strange night on the bridge, Chinonso and Ndali fall in love. But Ndali is from a wealthy family, and when they officially object to the union because he is uneducated, Chinonso sells most of his possessions to attend a small college in Cyprus. Once in Cyprus, he discovers that all is not what it seems. Furious at a world which continues to relegate him to the sidelines, Chinonso gets further and further away from his dream, from Ndali and the place he called home.
In this contemporary twist of Homer's Odyssey, in the mythic style of the Igbo literary tradition, Chigozie Obioma weaves a heart-wrenching epic about the tension between destiny and determination.
'Chigozie Obioma truly is the heir to Chinua Achebe' New York Time Book Review
[An] impressive, epic second novel . . . Timely, portentous and powerful, [An Orchestra of Minorities] confirms Chigozie Obioma's remarkable talent — Lucy Scholes, iNews
Obioma's frenetically assured second novel is a spectacular artistic leap forwards . . . [it is] a linguistically flamboyant, fast-moving, fatalistic saga of one man's personal disaster . . . Few contemporary novels achieve the seductive panache of Obioma's heightened language, with its mixture of English, Igbo and colourful African-English phrases, and the startling clarity of the dialogue. The story is extreme; yet its theme is a bid for mercy for that most fragile of creatures - a human — Eileen Battersby, Guardian
Rich and vivid . . . Obioma's absorbing tragicomedy painfully probes the perils of victimhood — Anthony Cummins, Observer (New Review)
Obioma fashions an allegory of post-independence Nigeria and the cruelties of the contemporary world . . . West Africa, with its pantheon of animist divinities and juju lore, is unforgettably evoked. You can almost smell the hot strong breath of the land in this brave gallimaufry of Greek myth and pre-colonial Igbo cosmology — Evening Standard
An acute, tender, painful and sometimes darkly funny story . . . about love, aspiration, betrayal, greed, dishonesty and the tribulations that the innocent and trusting may suffer — Allan Massie, The Scotsman
Almost every page [of An Orchestra of Minorities] trumpets the gifts of a writer who can make his language soar, wheel and pounce — Spectator
Obioma has a masterful way with words — The Herald
A tale of mythic nature and epic scale at times recalling Homer's Odyssey - a sweeping story about destiny and the power of choice — Vanity Fair
An Orchestra of Minorities is a magisterial accomplishment by any measure, and particularly impressive for the way Obioma orchestrates a tableau in which humans and spirits must interact in a complex, emotionally rich-veined story. Few writers can match Obioma's astonishing range, his deft facility for weaving a mesmeric and triumphant fictive canvas in which - reminiscent of the ancient masters - a cohort of gods presides over and negotiates the fates of humans — Okey Ndibe, author of Foreign Gods, Inc.
Every so often - but not often enough - a book comes around to blow away the cobwebs and forget what it means to read a truly immersive story. Chigozie Obioma's An Orchestra Of Minorities is just that — The Pool
An ambitious and immersive tale about love and sacrifice, told by an ancient spirit. A bold new novel from an exciting young writer — Brit Bennett, author of The Mothers
Chigozie Obioma pens a deeply empathetic, complex and gut-wrenchingly human narrative that captures the heart and soul. An Orchestra of Minorities stays with you. With remarkable style and compelling language, he explores what it means to experience blinding love and devastating loss. A truly gifted writer, Obioma has proven yet again that he's a literary treasure — Nicole Dennis-Benn, award-winning author of Here Comes the Sun
An Orchestra of Minorities is a triumph: a wholly unsentimental epic that unspools smoothly over nearly a decade, it is set with equal success across two continents, employing myth and spirituality to create a vibrant new world . . . an unusual and brilliantly original book — The Economist
Chigozie Obioma is a gifted and original storyteller. His masterful new novel An Orchestra of Minorities is remarkable for its exploration of universal concepts to do with destiny, free will and luck — Jennifer Clement, National Book Award-longlisted author of Gun Love, President of PEN International
An Orchestra of Minorities is a stunning novel which succeeds on so many levels. This time around Obioma deserves every accolade that comes his way — The UAE National
A twist on The Odyssey - [An Orchestra of Minorities is] narrated by a guardian spirit, traversing earth and space, but grounded in the universal themes of love, ambition and loss — Buzzfeed (Most Anticipated Books of 2019
Fans of Ben Okri will enjoy Obioma's spirited dedication to remembering old beliefs as western modernity encroaches, and the world he creates is pungently real — The Times
Obioma expands his canvas from the tragic to the epic — Daily Telegraph
Destined to become a classic — HelloGiggles
Heartbreaking and utterly unique — Vulture (Books You Should Read This January)
Unforgettable . . . A mesmerising page-turner — Image Magazine
Unforgettable second novel . . . Obioma's novel is electrifying, a meticulously crafted character drama told with emotional intensity. His invention, combining Igbo folklore and Greek tragedy in the context of modern Nigeria, makes for a rich, enchanting experience — Publishers Weekly
Gorgeously written, with a twist of magical realism and a heavy dose of sad reality, this is your big novel of the winter — Washington Post
I predict it will be one of the most talked about books of next year. It certainly deserves to be. It surprised me most because it's a challenging read - it is set in Nigeria and the author uses a combination of English, Nigerian Pidgin and untranslated Igbo - and yet it is still a very compelling and emotionally-stimulating story. I couldn't put it down — Bustle
Transcendent . . . Chigozie Obioma's second novel is a rare treasure: a book that deepens the mystery of the human experience — Seattle Times