The Magic Toyshop
By Angela Carter
In this, her second novel, (awarded the 1967 John Llewellyn Rhys Prize) Angela Carter's brilliant imagination and starting intensity of style explore and extend the nature and boundaries of love. Published as part of a beautifully designed series to mark the 40th anniversary of the Virago Modern Classics.
'This crazy world whirled around her, men and women dwarfed by toys and puppets, where even the birds are mechanical and the few human figures went masked . . . She was in the night once again, and the doll was herself.'
One night Melanie walks through the garden in her mother's wedding dress. The next morning her world is shattered. Forced to leave the home of her childhood, she is sent to live with relatives she has never met: gentle Aunt Margaret, mute since her wedding day; and her brothers, Francie and Finn. Brooding over all is Uncle Philip, who loves only the toys he makes in his workshop: clockwork roses and puppets that are life-size - and uncannily life-like.
Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor
Angela Carter was born in 1940. One of Britain's most original and disturbing writers, she died in 1992.
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- Publication date:
03 May 2018
- Page count:
The boldest of English women writers — Lorna Sage
Her writing is pyrotechnic - fuelled with ideas, packed with images and spangling the night sky with her starry language — Observer
She can glide from ancient to modern, from darkness to luminosity, from depravity to comedy without any hint of strain and without losing the elusive power of the original tales — The Times
Beneath its contemporary surface, this novel shimmers with blurred echoes-from Lewis Carroll, from 'Giselle' and 'Coppelia,' Harlequin and Punch.... It leaves behind it a flavor, pungent and unsettling — New York Times