By Muriel Spark
Muriel Spark's stunning debut novel
'The greatest Scottish novelist of modern times.' Ian Rankin
In this first novel by Muriel Spark - author of The Prime of Miss Jean Brodie - the only things that aren't ambiguous are Spark's matchless originality and glittering wit.
With an introduction by Ali Smith.
Caroline Rose is plagued by the tapping of typewriter keys and the strange, detached narration of her every thought and action. She has an unusual problem - she realises she is in a novel. Her fellow characters are also possibly deluded: Laurence, her former lover, finds diamonds in a loaf of bread - could his elderly grandmother really be a smuggler? And Baron Stock, her bookseller friend, believes he is on the trail of England's leading Satanist.
'A master of malice and mayhem.' Michiko Kakutani, New York Times
'Brilliantly original and fascinating.' Evelyn Waugh
'A light, clever, mirthful tour de force ... It disrupts and charms its readers with its combination of wit, precision, intelligence and hilarity. As vibrant as ever, more than fifty years after its first appearance.' Ali Smith
Muriel Spark, D.B.E, C. Litt, was born in Edinburgh in 1918. A poet and novelist, she also wrote children's books, radio plays, a comedy, 'Doctors of Philosophy', first performed in London in 1962, and biographies. She is best known for her stories and many successful novels, including Memento Mori, The Prime of Miss Jean Brodie, Loitering With Intent, The Comforters, A Far Cry from Kensington and The Public Image. For her long career of literary achievement, Muriel Spark won international praise and many awards, including the David Cohen British Literature Award, the T. S. Eliot Award, the Saltire Prize, the Boccaccio Prize for European Literature, the Gold Pen Award and the Italia Prize for dramatic radio. Muriel Spark was given an honorary doctorate of Letters from a number of universities, London, Edinburgh and Oxford among these. She died in 2006.
- Other details
- Publication date:
06 Aug 2009
- Page count:
That this light, clever, mirthful tour de force was a first novel is astounding. It ends with its own genesis, neatly, like a good joke. As vibrant as ever, more than 50 years after its first appearance, it still knocks the stuffing out of the realist tradition, and probably always will — Ali Smith
Brilliantly original and fascinating — Evelyn Waugh
A master of malice and mayhem — Michiko Katutani, NEW YORK TIMES